Western Nevada College Printmaking Students!

 

More Western Nevada College Printmaking Students Participation

The beautiful weather, along with the different landscapes and mountains that dot this place inspire me.

It was a little nerve racking at first starting this project because I didn’t like my prints but then when I was working on the layers I liked, the other students said they didn’t like their first layer either. 

I think I would like to experiment with collaborating more!  Logan McAlister

Western Nevada College HIghlight on Elena Guzman

 

Reflection by Ryan Korson

Nevada has always inspired me througn its rich history, and its gorgeous natural landscapes.  As someone who has grown up in Nevada, I have found Nevada’s railroad history to be the most inspirational because of how much that one industry allowed for so many notable events such as the Comstock lode and creating a connection to the rest of the country with the Tanscontinental Railroad.

After experimenting with the gelatin printmaking process, it is such an easy and versatile process, which can result in unique outcomes.  The ability to quickly move different pieces around to create a new design as well as press objects onto the plate to create a sense of depth made this process one of my favorites.  Exchanging the discs with fellow classmates was a fun process because it allowed you to see how others interpret your art and then use their mindset to build upon it in a way that creates a new meaning to your work.

This project changed my perspective on collaborative art making because it showed me that the process can not only provide you with a new perspective on your own work, but also allowed you to talk with those you collaborate with on how you could potentially improve the work you do.  This project has inspired me to do more collaborative work with other artists to create unique pieces that may not otherwise be accomplished just by mysef.

Reflection by James Mason

What inspires me the most is the landscape of Nevada.  I really enjoy the mountains of the state.  When I go hiking, I find it interesting how every mountain shape is different from one another.

I really enjoyed this process because it gives the artist free range of being creative.  By collaborating with another student it gave me the chance to add on to another plate. 

This project has changed the way I make art.  By collaborating with another student, it gave me the opportunity to add on to someones original art piece, by giving a second opportunity for improvement.

Reflection by Laura Funk

The sunsets, the random rainstorms and the crazy wind inspire me.  Not the heat.

I personally have not mastered gelatin printing (the first layer of the discs) but it was fun to see people be inspired by what I didn’t really like myself.  It was eye opening.

I really like the idea of 2 minds with different styles coming together to make something beautiful.

Reflection by Matthew Wilder

As a new comer to Nevada, the desolate mountain vistas remind me of Arizona, my childhood home of 19 years.  The snow is a great addition that makes for awe inspiring vistas.

The gelatin plates are a departure from my usual pencil medium.  It’s very messy but results in emergent properties in the work. Giving the discs to another artist gives me a nervous curiosity.  I want to see where they take my work but that requires relinquishing my creative control.

Collaboration is a change. It lets me build off and into a base piece. Having a foundation takes my mind into directions I wouldn’t start into on my own.

Tuscarora Spring

I wanted to introduce Emily Whittlesey to everyone who is following the NV Awe: Tiny Treasures project. Emily lives in Crescent Valley, NV and is writing poems for the book as well as editing our pages as we go along. We are at 47 pages and the book is amazing so far!

All the discs will be show @rtiashow September 12-15 and will be sold as a fundraiser for @doublescoopnevada

New Discs have arrived! Than-you Elaine, Sidne, Tina and April!

 

February Discs Finished

 

TRUST: An interview with Sidne Teske and Elaine Parks

Questions from Candace Garlock

1.     You two have been friends for a long time. Can you tell me where you met and your first impressions of one another?

Sidne - I met Elaine not long after she married Ben Parks and moved to Tuscarora. I was still living in Battle Mountain. She became one of the Wild Women not long after that. I didn't get to know her well until I moved to Tuscarora. I was (and am still) so impressed with her amazing ceramic textures and ideas about organic shapes.

Elaine - I've always been fascinated by Sidne's work. Aside from her amazing pastel and watercolor paintings, Sidne makes all manner of small experimental books and sculpture. When she first came to Tuscarora she showed me some pieces that have stuck with me for years. Sidne made little hand made books made from sliced bones with hand made paper pages and told me about another book she made in one day, where she took photos in nature of the whole alphabet. Photographed, printed and made into a book. I never saw that one, but I think about it many years later - Often when I'm walking, if I see a "letter" out in nature, I'll think of Sidne's book.

 

2.     When I see the discs created by you two, I think of the awe prompt: Finding awe in the mark makings of the first person.  Can you tell me a little bit more about how you are inspired by each other’s marks and creativity?

Sidne - When I get one of the disks Elaine has worked on I usually think they are terrific just as they are. Then I remember that I am supposed to incorporate something into what she has done. Which is already great. I don't want to diminish what she has done and I certainly don't want to add anything that doesn't enhance hers in some way. It's a real challenge.  

Elaine - I agree this is a challenge - not wanting to screw up what Sidne has begun and trying to add something that enhances what is already there. It's also fun to work from what Sidne has started, there's a sense of play and experimentation.

3.     Do you feel that this collaboration process is a bit easier because you have known each other so long?  There is trust there? 

Sidne - Definitely trust. And yes easier because I think we both start from the same frame of mind. I have no doubt that Elaine will make something great and fun to respond to. We don't talk to each other about the disks until after we have both worked on them so each iteration is a surprise. Which makes them more an art challenge than a collaboration. It is so interesting to see what she gives me so I can answer with whatever idea I end up with. I find the small size and the round shape of the disks add to the challenge too.

Elaine - Sidne and I talked about the idea of an art challenge rather than collaboration, since we don't discuss anything ahead of time. We definitely have the trust that the other person will have a sincere approach, having fun, trying something new. What is great about this project is that it creates the opportunity for a conversation between Sidne and I and an excuse to get together more often.

 

4.     What in Nevada inspires you the most? 

Sidne - That is hard to answer. I love the huge skies, the vast horizons, the geometric contours of the land. And the colors. Definitely the colors.

Elaine - The sky, day and night, the vast views and the hidden surprises that are always there is you get off the major highways. In my mind, the vast space here is good for the imagination.

 

5.     Overall, how do you feel about collaborations? What motivates you to continue collaborating with other artists in Nevada?

Sidne - I really think the collaborations I have taken part in have not been true collaborations. For the most part they are challenges. A collaboration implies to me that the people work together to accomplish a common goal, and they communicate throughout the making of the work. Since we don't communicate  about these disks until after they are completed, the process is more challenging than collaborative. But I like a challenge. I always hope I don't let the other person down with how I respond to their offer. And it also helps me to get to know another artist better which I like.

             Elaine - In my art practice, I've had a true collaboration with one artist. I think a true

           collaboration is very difficult and takes a lot of commitment and conversation before you

even get started. I do enjoy an art challenge such as Tiny Awe, because I enjoy spending time with my artist friends and it's a way to get together and do what we love to do. This kind of group project is great for strengthening friendships and the art community.