Reflection by James Mason

What inspires me the most is the landscape of Nevada.  I really enjoy the mountains of the state.  When I go hiking, I find it interesting how every mountain shape is different from one another.

I really enjoyed this process because it gives the artist free range of being creative.  By collaborating with another student it gave me the chance to add on to another plate. 

This project has changed the way I make art.  By collaborating with another student, it gave me the opportunity to add on to someones original art piece, by giving a second opportunity for improvement.

Reflection by Laura Funk

The sunsets, the random rainstorms and the crazy wind inspire me.  Not the heat.

I personally have not mastered gelatin printing (the first layer of the discs) but it was fun to see people be inspired by what I didn’t really like myself.  It was eye opening.

I really like the idea of 2 minds with different styles coming together to make something beautiful.

Reflection by Matthew Wilder

As a new comer to Nevada, the desolate mountain vistas remind me of Arizona, my childhood home of 19 years.  The snow is a great addition that makes for awe inspiring vistas.

The gelatin plates are a departure from my usual pencil medium.  It’s very messy but results in emergent properties in the work. Giving the discs to another artist gives me a nervous curiosity.  I want to see where they take my work but that requires relinquishing my creative control.

Collaboration is a change. It lets me build off and into a base piece. Having a foundation takes my mind into directions I wouldn’t start into on my own.

Tuscarora Spring

I wanted to introduce Emily Whittlesey to everyone who is following the NV Awe: Tiny Treasures project. Emily lives in Crescent Valley, NV and is writing poems for the book as well as editing our pages as we go along. We are at 47 pages and the book is amazing so far!

All the discs will be show @rtiashow September 12-15 and will be sold as a fundraiser for @doublescoopnevada

New Discs have arrived! Than-you Elaine, Sidne, Tina and April!

 

February Discs Finished

 

TRUST: An interview with Sidne Teske and Elaine Parks

Questions from Candace Garlock

1.     You two have been friends for a long time. Can you tell me where you met and your first impressions of one another?

Sidne - I met Elaine not long after she married Ben Parks and moved to Tuscarora. I was still living in Battle Mountain. She became one of the Wild Women not long after that. I didn't get to know her well until I moved to Tuscarora. I was (and am still) so impressed with her amazing ceramic textures and ideas about organic shapes.

Elaine - I've always been fascinated by Sidne's work. Aside from her amazing pastel and watercolor paintings, Sidne makes all manner of small experimental books and sculpture. When she first came to Tuscarora she showed me some pieces that have stuck with me for years. Sidne made little hand made books made from sliced bones with hand made paper pages and told me about another book she made in one day, where she took photos in nature of the whole alphabet. Photographed, printed and made into a book. I never saw that one, but I think about it many years later - Often when I'm walking, if I see a "letter" out in nature, I'll think of Sidne's book.

 

2.     When I see the discs created by you two, I think of the awe prompt: Finding awe in the mark makings of the first person.  Can you tell me a little bit more about how you are inspired by each other’s marks and creativity?

Sidne - When I get one of the disks Elaine has worked on I usually think they are terrific just as they are. Then I remember that I am supposed to incorporate something into what she has done. Which is already great. I don't want to diminish what she has done and I certainly don't want to add anything that doesn't enhance hers in some way. It's a real challenge.  

Elaine - I agree this is a challenge - not wanting to screw up what Sidne has begun and trying to add something that enhances what is already there. It's also fun to work from what Sidne has started, there's a sense of play and experimentation.

3.     Do you feel that this collaboration process is a bit easier because you have known each other so long?  There is trust there? 

Sidne - Definitely trust. And yes easier because I think we both start from the same frame of mind. I have no doubt that Elaine will make something great and fun to respond to. We don't talk to each other about the disks until after we have both worked on them so each iteration is a surprise. Which makes them more an art challenge than a collaboration. It is so interesting to see what she gives me so I can answer with whatever idea I end up with. I find the small size and the round shape of the disks add to the challenge too.

Elaine - Sidne and I talked about the idea of an art challenge rather than collaboration, since we don't discuss anything ahead of time. We definitely have the trust that the other person will have a sincere approach, having fun, trying something new. What is great about this project is that it creates the opportunity for a conversation between Sidne and I and an excuse to get together more often.

 

4.     What in Nevada inspires you the most? 

Sidne - That is hard to answer. I love the huge skies, the vast horizons, the geometric contours of the land. And the colors. Definitely the colors.

Elaine - The sky, day and night, the vast views and the hidden surprises that are always there is you get off the major highways. In my mind, the vast space here is good for the imagination.

 

5.     Overall, how do you feel about collaborations? What motivates you to continue collaborating with other artists in Nevada?

Sidne - I really think the collaborations I have taken part in have not been true collaborations. For the most part they are challenges. A collaboration implies to me that the people work together to accomplish a common goal, and they communicate throughout the making of the work. Since we don't communicate  about these disks until after they are completed, the process is more challenging than collaborative. But I like a challenge. I always hope I don't let the other person down with how I respond to their offer. And it also helps me to get to know another artist better which I like.

             Elaine - In my art practice, I've had a true collaboration with one artist. I think a true

           collaboration is very difficult and takes a lot of commitment and conversation before you

even get started. I do enjoy an art challenge such as Tiny Awe, because I enjoy spending time with my artist friends and it's a way to get together and do what we love to do. This kind of group project is great for strengthening friendships and the art community.

Emsleys Inspiration and Emsley as Inspiration

 Overcoming Shyness

by Rebecca Lewis

Reserved and not sure of unknown surroundings, she hides her face in her moms hip. Her face is turned just enough to peek out of the corner of her eye, taking in the strangers. Some time passes by and the tight grip on her moms hand loosens. With a little courage, she lifts her head from the safety of her moms side and speaks a “hello”. She realizes the stranger isn’t so strange after all. A hello turns to a question, “Do you want to play with me”. And at that moment, her shell softens just a little. 

Emsley is 5 years old and has always been shy. Candace Garlock is Emsleys Booma. Two creatures cut from the same cloth, Emsley and Booma are best friends, two peas in a pod, soul mates. These two artists spend hours together in the studio, often collaborating on pieces. Walking around the space, you can find hearts and drawings of rabbits and birds hidden in all corners and surfaces. Little pieces of Emsleys mind are scattered all around. Most of all, Emsley is Boomas little helper. She is more than aware that Booma suffers from Multiple Sclerosis. She is protective of Boomas energy. They rest when it's time to rest. 

So, Emsley did not hesitate when Booma asked her to help at the RTIA show. Running around with excitement, Emsley said “I will be brave! I will sell your artwork!”. She agreed she would run the booth alone when it was time for Booma to go home to rest.

Wearing her best dress and hair done up, Emsley held her moms hand walking into the show. Her mom was waiting for the moment she would change her mind. Emsley was really shy. There was no way she would interact with people, especially with Booma leaving to go home.

That moment never came. Emsley power walked from the front door all the way to Boomas booth and not one second passed where she looked back in fear or unsettledness. Instead of burying her head in her moms hip, she walked right behind the booth and asked the first person she saw “What would you like to buy?” From there, Emsley blossomed like a spring flower. She showed strangers her Boomas artwork and explained her interpretations of it with so much joy and confidence. She stamped their hands and drew them special characters as keepsakes. To her, she was sharing her special world with them. Surrounded by the birds, sculptures, and prints that she is used to seeing in her special space she shares with Booma. She was letting people into her heart and the shy little girl that used to be was no more.

Le Petit Atelier Participants

More love from Fallon!  Anne Johnson, founder of Le Petit Atelier organized to have her students participate in NV Awe: Tiny Treasures.  Why the hard to pronounce name?! Le Petit Atelier (at- all- yay) translates to “the little studio” in French, but the atelier has a much deeper meaning in education. An incredible European education system called Reggio Emilia has atelier’s in each of their schools. These atelier’s are lead by an atelierista (studio guide) who doesn’t tell the students how to create, but rather guides them to explore their own creativity with different materials and techniques. 

This is the basis of Le Petit Atelier in Fallon, Nevada, to nurture and explore one’s own creativity as opposed to everyone creating the same art. Anne Johnson has been teaching art since 2009, from private studio classes to k-12 schools. She received her bachelors degree in Art from the University of Nevada, Reno in 2004.

NV AWE Prompt: Gather with Friends

Jill Aschenbach and Candace Garlock were elementary school best friends in the little town of Elko, NV. Both reconnected in person at the Holland Project in Reno, NV in January, 2024.  The NV AWE Prompt: Gather with Friends, inspired Jill to organize an art activity with her girlfriends in South Reno.

The Hollands Project - sitting in the gallery by Candace Garlock

 

Nathanial Benjamin and Doomed Movement

The For Good Luck show at The Holland Project in Reno was the first of 2024 and it allowed me to really think about awe. We all had to sign up to sit in the gallery during open hours. I signed up for a Saturday sitting and I had asked if I could bring the NV Awe: Tiny Treasures project with me. I was hoping that I could get more participants involved in the project. My best friend from elementary school joined me in this little adventure. Jill Ashenbach and I had not seen each other since high school, so that in itself was an awe moment!

During that day, I realized that for me, it’s the quiet times in the gallery that I enjoyed the most. I was able to find awe while looking at the art. I had time to slow down and just observe and think. I enjoyed the company of Jill, remembering the days of childhood. I enjoyed the “play” from fellow artists coming in that were willing to take a chance with the NV Awe: Tiny Treasures project. For me, that time is precious and unforgettable. 

One of my former students, Terrence Hammond from doomedmovement.com came in with his companion, Magpie, and they both sat down and created the first layer of two discs. The discs were then discovered by avid "awe" 5 year old artist, Emsley Lewis, who has taken this project as her own.  She decided that Magpie needed a bone and some food in a doggie dish. She found some Sculpey clay in my studio and built the remaining pieces.  She also created the fire icon out of fuse beads for Doomedmovement's character.

 “And so, in awe, we go in search of new forms of understanding.” – Dacher Keltner